“We are so obsessed staring at the screen these days that we didn’t realize life has gone past us,” laments Ananya Panday’s Ahaana in a poignant age in Arjun V Singh’s “Kho Gaye Hum Kahan.” The hustle of residing from one submit to every other, consistent time updates, and the yearn for validation from the various faceless fans on social media are in all probability the tale of our lives.
Debutante Director Arjun V Singh takes us into the arena of 3 best possible buddies. Imaad (Siddhant Chaturvedi) is a stand-up comedian with a happy-go-lucky perspective in opposition to each and every status, together with his courting time. If no longer on level, he’s busy swiping left and proper on Tinder, the courting app. Ahaana (Ananya Panday) is Imaad’s flatmate, a whiz who’s in a long-term courting together with her boyfriend, whom she hopes to marry. Later there’s Neil (Adarsh Gourav), a gymnasium educator who aspires to have his studio at some point. Like every common 25-year-old, they’re following their pastime, operating hardened, and partying more difficult.
Introspection of time occurs over a number of bottles of beer; they accumulation disagree secrets and techniques from every alternative, or do they? Despite the fact that their oldsters don’t perceive their mindset—Imaad’s lavish father asks him to start out operating within the people’s industry, presen Neil fails to know the penny-pinching mindset of his working-class oldsters, who inform him that he does no longer know the too much between want and wish. Ahaana, a elegant skilled with fancy levels and medals to her credit score, is a pushover who will get walked over through her boss in addition to her boyfriend.
However we are living in a global the place FOMO (Worry of Lacking Out) is a factor. Conserving it personal, conserving it actual are passé. If it’s not on social media, after it’ll as neatly no longer exist. We have now given the ceremony of passage into our lives to strangers and nation we’re not going to fulfill since a thumbs up or i’m sick from them is what can manufacture or crack us. Whip Ahaana; her grief then getting dumped through her boyfriend is additional amplified when she realizes his brandnew female friend has over one million fans.
The undecided Ahana creates a faux account to stalk her boyfriend and begins placing out overjoyed and attractive touched-up footage of herself on Instagram to turn out her time continues to rock. Imaad, at the alternative hand, who flits from one fling to every other, meets an used and wiser girl (Kalki Koechelin), however being commitment-phobic, continues to peer alternative ladies. Neil, who’s courting his shopper LaLa (Anya Singh), an influencer, can not perceive her obsession with filtered pictures and in need of to be continuously clear. One past, when he will get a celeb shopper who places out a submit with him, eye his fans mountain climbing up, Neil unearths this as a shortcut to luck. Then all, the various fans on social media are at once proportional in your luck.
The 3 sucked into the abyss of the unfathomable virtual international see no longer handiest their friendship however their very own identification as nation being destroyed. Who’re we? Are we so determined to be clear that we will be able to wreck ourselves and the ones round us?
What Works
Arjun V Singh provides an notable and uncooked narrative of our instances. He will get the message throughout merely: how social media engagement makes us liable to manipulation. People are low on emotional quotient however top on compulsive scrolling. Siddhant Chaturvedi is a herbal and is on level in his portrayal of Imaad, who’s shrouding his emotional luggage beneath a cocksure perspective. Adarsh Gourav is pitch-perfect as Neil, getting beneath the outside of his persona with holiday. Ananya suits in as Ahaana and is relatable in all facets. That is one in every of her best possible performances to moment. The friendship between the 3 is actual and resonates as they rib every alternative, battle, and manufacture up. The twilight international of social media is succinctly introduced out through the twilight crimson and lightless colour palette.